Portuguese–English parallel text
O Contador de Histórias
The Storyteller
Saki
A free bilingual Portuguese–English edition: the Portuguese text with the English beside it, paragraph by paragraph. Read it online, or download it as a dual-language ebook.
Opening the reader…
Era uma tarde quente, e o vagão do trem estava correspondentemente abafado, e a próxima parada era em Templecombe, quase uma hora à frente. Os ocupantes do vagão eram uma menina pequena, uma menina menor ainda e um menino pequeno.
It was a hot afternoon, and the railway carriage was correspondingly sultry, and the next stop was at Templecombe, nearly an hour ahead. The occupants of the carriage were a small girl, and a smaller girl, and a small boy.
Uma tia das crianças ocupava um assento no canto, e o outro assento no canto oposto era ocupado por um solteirão que não fazia parte do grupo deles, mas as meninas pequenas e o menino pequeno ocupavam enfaticamente o compartimento.
An aunt belonging to the children occupied one corner seat, and the further corner seat on the opposite side was occupied by a bachelor who was a stranger to their party, but the small girls and the small boy emphatically occupied the compartment.
Tanto a tia quanto as crianças eram conversadoras de um jeito limitado e persistente, lembrando a atenção incômoda de uma mosca que se recusa a ser espantada.
Both the aunt and the children were conversational in a limited, persistent way, reminding one of the attentions of a housefly that refuses to be discouraged.
A maioria dos comentários da tia parecia começar com “Não faça isso”, e quase todas as falas das crianças começavam com “Por quê?”. O solteirão não disse nada em voz alta.
Most of the aunt’s remarks seemed to begin with “Don’t,” and nearly all of the children’s remarks began with “Why?” The bachelor said nothing out loud.
“Não faça isso, Cyril, não faça isso”, exclamou a tia, quando o menino pequeno começou a bater nas almofadas do assento, levantando uma nuvem de poeira a cada golpe.
“Don’t, Cyril, don’t,” exclaimed the aunt, as the small boy began smacking the cushions of the seat, producing a cloud of dust at each blow.
“Venha olhar pela janela”, ela acrescentou.
“Come and look out of the window,” she added.
A criança foi com relutância até a janela. “Por que aquelas ovelhas estão sendo tiradas daquele campo?”, ele perguntou.
The child moved reluctantly to the window. “Why are those sheep being driven out of that field?” he asked.
“Acho que estão sendo levadas para outro campo onde há mais grama”, disse a tia, sem firmeza.
“I expect they are being driven to another field where there is more grass,” said the aunt weakly.
“Mas tem muita grama naquele campo”, protestou o menino; “não tem nada além de grama lá. Tia, tem muita grama naquele campo.”
“But there is lots of grass in that field,” protested the boy; “there’s nothing else but grass there. Aunt, there’s lots of grass in that field.”
“Talvez a grama do outro campo seja melhor”, sugeriu a tia tolamente.
“Perhaps the grass in the other field is better,” suggested the aunt fatuously.
“Por que é melhor?”, veio a pergunta rápida e inevitável.
“Why is it better?” came the swift, inevitable question.
“Ah, olhem aquelas vacas!”, exclamou a tia. Quase todos os campos ao longo da linha férrea tinham vacas ou bois, mas ela falou como se estivesse chamando a atenção para uma raridade.
“Oh, look at those cows!” exclaimed the aunt. Nearly every field along the line had contained cows or bullocks, but she spoke as though she were drawing attention to a rarity.
“Por que a grama do outro campo é melhor?”, insistiu Cyril.
“Why is the grass in the other field better?” persisted Cyril.
A testa franzida no rosto do solteirão estava se transformando em uma carranca. Ele era um homem duro e antipático, concluiu a tia em sua mente. Ela era totalmente incapaz de chegar a qualquer resposta satisfatória sobre a grama do outro campo.
The frown on the bachelor’s face was deepening to a scowl. He was a hard, unsympathetic man, the aunt decided in her mind. She was utterly unable to come to any satisfactory decision about the grass in the other field.
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