English–Italian parallel text
Over the Step
Oltre il gradino
DuoText
An original English story from The Night Bakery · Il forno di notte · Episode 49, with the Italian beside it, paragraph by paragraph. Read it online, or download it as a dual-language ebook.
Opening the reader…
Michael Bell had spent fifteen years making sure that nobody in a room ever looked at him for long, and now two hundred people had stood up and clapped at him, and he did not know where to put his hands. He had put them over his face, in the end, because it was the only place he could think of. When he took them away, the hall was sitting down again, and the small woman with the half-moon glasses was asking the committee who was in favour.
Michael Bell aveva passato quindici anni ad assicurarsi che nessuno in una stanza lo guardasse mai a lungo, e ora duecento persone si erano alzate in piedi e lo applaudivano, e lui non sapeva dove mettere le mani. Alla fine se le era portate al viso, perché era l’unico posto che gli era venuto in mente. Quando le tolse, la sala si stava rimettendo a sedere, e la donna minuta con gli occhiali a mezzaluna stava chiedendo alla commissione chi fosse a favore.
One hand went up on the stage. It belonged to a heavy man at the end of the table whose name card said Cllr R. Booth and who looked, Michael thought, like someone voting for his own peace and quiet rather than for flats. It went up slowly, and then, as the man seemed to become aware of two hundred pairs of eyes, it came down again halfway and stayed there, uncertain, like a bird that could not decide where to land.
Sul palco si alzò una mano. Apparteneva a un uomo corpulento in fondo al tavolo, il cui cartellino recava il nome «Consigliere R. Booth» e che, pensò Michael, sembrava votare per la propria quiete personale piuttosto che per gli appartamenti. Salì lentamente, e poi, mentre l’uomo sembrava rendersi conto di duecento paia di occhi, scese di nuovo a metà e rimase lì, incerta, come un uccello che non riuscisse a decidere dove posarsi.
“Councillor Booth, are you in favour or not?” said Councillor Hale.
«Consigliere Booth, è a favore o no?» disse la consigliera Hale.
“In favour,” said Councillor Booth, faintly, and put his hand all the way up, and did not look at the room.
«A favore» disse il consigliere Booth con un filo di voce, e alzò la mano del tutto, senza guardare la sala.
“One in favour. Those against?”
«Uno a favore. I contrari?»
Four hands. Councillor Hale’s among them, raised briskly, without ceremony, as though she were signalling for a bus. Michael watched them go up and felt nothing at all for a moment, the way you feel nothing in the first second after you have cut yourself with a bread knife, before the blood comes.
Quattro mani. Quella della consigliera Hale tra queste, alzata con fermezza, senza cerimonie, come se stesse facendo cenno a un autobus. Michael le guardò alzarsi e per un attimo non provò assolutamente nulla, nello stesso modo in cui non si sente nulla nel primo secondo dopo essersi tagliati con un coltello da pane, prima che arrivi il sangue.
“The application as submitted is refused,” said Councillor Hale, and brought the gavel down. The sound it made was not loud at all, a small wooden knock on green cloth, like somebody knocking on a door at three in the morning who does not want to wake the house.
«La richiesta, così come presentata, è respinta» disse la consigliera Hale, e abbassò il martelletto. Il rumore prodotto non fu affatto forte, un piccolo colpo di legno sul panno verde, come qualcuno che bussa a una porta alle tre del mattino senza voler svegliare la casa.
Then the hall went up like a fire. That was what he thought, and he hated that it was what he thought. But it was true: a roar of noise that seemed to come from everywhere at once, people standing, hugging, the old woman with the stick waving it in the air, Priya with her face in Ana’s shoulder, Daniel shouting something nobody could hear. In the front row, Jess had not moved. She was sitting quite still with her portfolio on her knees, and she was looking back down the hall, over all of them, at him.
Poi la sala divampò come un fuoco. Fu quello che pensò, e odiò il fatto di averlo pensato. Ma era la verità: un boato che sembrava provenire da ogni parte contemporaneamente, persone in piedi, abbracci, l’anziana con il bastone che lo agitava in aria, Priya con il viso sulla spalla di Ana, Daniel che gridava qualcosa che nessuno riusciva a sentire. In prima fila, Jess non si era mossa. Se ne stava del tutto immobile con la sua cartella sulle ginocchia, e guardava verso il fondo della sala, al di sopra di tutti loro, dritto verso di lui.
In the wheelchair in front of him, his father had begun to shake. Not the old tremor; something deeper, from the chest. Michael bent down to see if he was ill, and found that he was laughing, silently, on the one side of his face that still moved, with tears running down into his collar. Walter reached up with his good hand and took hold of his son’s sleeve, and held it, and did not let go.
Sulla sedia a rotelle davanti a lui, suo padre aveva cominciato a tremare. Non il solito tremore; qualcosa di più profondo, che veniva dal petto. Michael si chinò per vedere se stesse male, e scoprì che stava ridendo, silenziosamente, sull’unico lato del volto che si muoveva ancora, con le lacrime che gli colavano nel colletto. Walter allungò la mano buona e afferrò la manica di suo figlio, e la strinse, senza lasciarla andare.
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