French–English parallel text
Un ami appelé Mick
A Friend Called Mick
DuoText
A free bilingual French–English edition: the French text with the English beside it, paragraph by paragraph. Read it online, or download it as a dual-language ebook.
Opening the reader…
Pendant un moment, personne n’a parlé. Le vent soufflait le long du quai vide, et quelque part derrière les collines, le train de Manchester devenait plus bruyant. Ana sentait son cœur battre dans sa gorge. Elle avait promis. Il y a une minute à peine, elle avait promis. « C’est Mick, s’est-elle entendue dire. C’est un ami. Il travaille à l’entrepôt du supermarché. »
For a moment nobody spoke. The wind blew along the empty platform, and somewhere behind the hills the Manchester train was getting louder. Ana could feel her heart beating in her throat. She had promised. Only a minute ago, she had promised. “This is Mick,” she heard herself say. “He’s a friend. He works at the supermarket warehouse.”
« Oh. Salut », a dit Jess. Elle l’a regardé comme les adolescents regardent la plupart des adultes, poliment et sans grand intérêt. Puis elle a ouvert ses chips. « Tu vas à Manchester ? Le train arrive. »
“Oh. Hi,” Jess said. She looked at him the way teenagers look at most adults, politely and without much interest. Then she opened her crisps. “Are you going to Manchester? The train’s coming.”
Michael a ouvert la bouche, mais aucun son n’est sorti. Il serrait son portefeuille si fort que ses doigts étaient devenus blancs. Ana l’a vu regarder les cheveux roux de Jess, ses yeux verts, et la petite cicatrice sur son menton qu’Ana n’avait jamais remarquée auparavant. Il la regardait comme s’il essayait de se souvenir de chaque détail de son visage pour le reste de sa vie.
Michael opened his mouth, but nothing came out. He was holding his wallet so hard that his fingers had gone white. Ana saw him look at Jess’s red hair, at her green eyes, at the small scar on her chin that Ana had never noticed before. He looked at her as if he was trying to remember every detail of her face for the rest of his life.
« Non, a-t-il dit enfin d’une voix rauque. Non, je ne vais nulle part. J’étais juste… en train de vérifier les horaires. » Il s’est éclairci la gorge. « Ravi de te rencontrer, Jess. »
“No,” he said at last. His voice was rough. “No, I’m not going anywhere. I was just… checking the times.” He cleared his throat. “Nice to meet you, Jess.”
Jess a légèrement froncé les sourcils. « Comment est-ce que tu connais mon nom ? »
Jess frowned slightly. “How do you know my name?”
Il y a eu une terrible seconde de silence. Puis Ana a ri, un peu trop fort. « Parce que je ne m’arrête jamais de parler de toi. Jess par-ci, Jess par-là. Jess et ses dessins. Le pauvre Mick a tout entendu sur toi. » Ce n’était même pas un bon mensonge, mais Jess a haussé les épaules et a mangé une chips. Elle était trop heureuse après sa journée à Leeds pour s’en soucier.
There was a terrible second of silence. Then Ana laughed, a little too loudly. “Because I never stop talking about you. Jess this, Jess that. Jess and her drawings. Poor Mick has heard everything about you.” It was not even a good lie, but Jess shrugged and ate a crisp. She was too happy after her day in Leeds to care.
Le train est entré en gare avec un bruit long et fatigué, et il s’est arrêté devant eux. Les portes se sont ouvertes. Une femme avec une poussette est descendue, puis un vieil homme, et ensuite personne d’autre. Michael est resté très immobile avec son sac sur le dos et a regardé les portes ouvertes. Ana le regardait. Jess regardait son téléphone. Au bout d’une minute, les portes se sont refermées, et le train s’est éloigné lentement dans le noir.
The train came into the station with a long, tired sound and stopped in front of them. The doors opened. A woman with a pushchair got off, and an old man, and then nobody. Michael stood very still with his bag on his back and watched the open doors. Ana watched him. Jess watched her phone. After a minute, the doors closed again, and the train moved slowly away into the dark.
Michael a poussé un long soupir. Il a regardé Ana, et dans ses yeux fatigués, il y avait quelque chose qu’elle n’y avait jamais vu auparavant. Ce n’était pas tout à fait de l’espoir, mais cela y ressemblait. « Bonne nuit, Ana, a-t-il dit calmement. Bonne nuit, Jess. Bonne chance pour les dessins. » Puis il s’est retourné et a monté les escaliers, a traversé la passerelle et a quitté la gare.
Michael let out a long breath. He looked at Ana, and in his tired eyes there was something she had not seen there before. It was not quite hope, but it was close to it. “Goodnight, Ana,” he said quietly. “Goodnight, Jess. Good luck with the drawings.” Then he turned and walked up the stairs, over the bridge and out of the station.
Elles sont rentrées à pied en descendant la colline. Hollin Bridge était calme un samedi soir, et les lampadaires faisaient des cercles jaunes sur les pierres mouillées. Jess a parlé de Leeds pendant dix minutes sans s’arrêter : le bâtiment en verre, le professeur avec les lunettes violettes, l’étudiant qui avait construit une maquette de pont avec des spaghettis. Ana disait oui, non, et vraiment, mais elle écoutait à peine.
They walked home down the hill. Hollin Bridge was quiet on a Saturday night, and the streetlights made yellow circles on the wet stones. Jess talked about Leeds for ten minutes without stopping: the glass building, the teacher with the purple glasses, the student who had built a model of a bridge out of spaghetti. Ana said yes and no and really, but she was hardly listening.
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